Forced Labor and Resistance

Kampnagel represents contemporary performance, dance and theater in Hamburg for 40 years. So far, there is little evidence of the site's past during the National Socialist era. In the project Kampnagel is regarded as a place of remembrance and also of encounter and the history is reviewed. In doing so, an innovative prototype will be developed which demonstrates a cultural center's critical examination of its own history in the sense of a pioneering, responsible culture of remembrance.

In the project Kampnagel is regarded as a place of remembrance and also of encounter and the history is reviewed. In doing so, an innovative prototype will be developed which demonstrates a cultural center's critical examination of its own history in the sense of a pioneering, responsible culture of remembrance.

Exemplary biographies of forced laborers and facts about the resistance are digitally processed and communicated to the 180,000 annual visitors. In an AR app for smartphones used on the site, individual narrative strands and life images are selected in order to make the contemporary historical context comprehensible with avatars and original documents.

Kampnagel

Kampnagel is the largest production house for contemporary performance, dance, and theater in Europe. It is situated on the site of the former Kampnagel factory that was converted into an armaments factory during the National Socialist era, used more than 1,000 forced laborers and kept them in six separate camps in Hamburg. Resistance was organized in company underground groups and acts of sabotage were carried out. It is well overdue that the Center for Fine Arts is addressing this history now.

 

Data Sheet

Cooperation partners:

Stiftung Historische Museen Hamburg

Funding country: Germany
Duration: 01.10.2022 until 31.07.2024

https://kampnagel.de

More about the project

Education Agenda NS-Injustice

The Magazine of the Education Agenda NS-InjusticeThe Magazine of the Education Agenda NS-Injustice

The Education Agenda NS-Injustice started in autumn 2021 with two certainties: Firstly, the survivors are passing away; there are few chances today to meet eyewitnesses who can tell us first-hand about the atrocities committed by the National Socialists. Secondly, we are increasingly entering contexts in which boundaries between fiction and fact are blurred. Under these conditions, we are dependent on new ways of learning and innovative forms of conveyance in our critical examination of National Socialist injustice and in historical-political educational work. In the magazine we present the funding program, projects and current debates.